When Polygon had an opportunity to video-chat with Physician Who stars Ncuti Gatwa and Varada Sethu upfront of the brand new season, there was an expertise that leapt out as their favourite: filming the animated sequences for this Saturday’s episode.
Not recording — filming.
“Taking pictures the animation was very enjoyable,” Gatwa stated, “as a result of it was only a totally different means of working, and we’ve not had that.”
“I feel after we first learn it,” Sethu added, “we assumed that we’d be doing a voice-over a lot afterward and so they have been simply going to animate it. However no, we needed to actually shoot it.”
“They usually animated to our actions,” Gatwa clarified, “and what we did within the scene. It was cool.”
[Ed. note: This piece contains mild spoilers for the second episode of Doctor Who’s 2025 season.]
The episode — known as “Lux” — options visitor star Alan Cumming (Schmigadoon!, X2) because the animated antagonist Mr. Ring-a-Ding, a wierd character who might have stepped out of any stage of Cuphead, modeled after the animation types of the Thirties. And in a single pivotal second within the story, he traps the Physician and Belinda inside an animated movie as animated characters.
When Polygon requested showrunner Russell T Davies concerning the course of behind Who’s dive into animation, he stated that it was all the time one thing he’d wished to do in his profession, however had by no means had the price range for it earlier than.
“It prices a fortune, let’s be completely trustworthy,” Davies stated over video chat. “It’s a correct ability; it ought to break the bank, as a result of it’s a correct labor of affection. And so to have the ability to try this with Disney Plus was completely beautiful.”
Davies famous that his first job on the BBC was working in graphic design — on the kids’s collection Why Don’t You? amongst others. “Cartooning and cartoons is in my blood and bones. If my life had taken a unique flip, I might be working graphics after which cartoons in some form or type.”
Nonetheless, Davies stated, working with animation was a studying expertise. “I’ve been via results conferences one million instances. We had conferences I didn’t know existed with animation, signing off every little thing — you must log off each blink that the character makes, each flex of its hand. Simply designing it, and discovering the historical past of it. Even discovering issues like — I bear in mind sooner or later somebody saying, ‘Like basic cartoons of the ’30s and ’40s and ’50s, ought to he have white gloves?’ However really, that’s a minstrel’s gloves, and the white gloves are type of frowned upon now — or it has a unique context now, that in our context wouldn’t look good. So that you study issues like that. It was fascinating. We discovered about your complete historical past of cartoons.”
Alan Cumming’s efficiency was recorded in levels, in response to Davies: First, a preliminary voice recording in order that Gatwa and Sethu would have one thing to react to on set, after which a second, sales space recording of Cumming’s voice and mouth actions, “so the animators and the actor can get to know one another within the center stage, because it have been.” And at last, the animators would add any further dialogue recording and exclamations that cropped up within the strategy of animation.
Davies stated that he and his crew weren’t consultants, and they also have been completely happy to lean on their animation companions for course of particulars. “I feel they preferred us,” he laughed, “as a result of we stated, ‘Ideally, how would you need to do that?’ […] Regardless of the animator stated can be finest, that’s what we did.”
And within the case of the Physician and Belinda’s temporary stint as cartoon characters, that meant filming Gatwa and Sethu in character, in order that the animators might work with the actors’ personal actions. The outcomes are one among trendy Who’s most unusual and cinematically metatextual moments, because the present’s heroes attempt to actually turn out to be extra three dimensional and escape the flat airplane of the display.
“It was simply an unlimited playground,” Davies stated, after which corrected himself. “Way over a playground — a correct skilled world of animation. I cherished the weeklies with the animators, I cherished these conferences. I cherished it. It made me very completely happy.”